Selected Works

2024
The River
for orchestra, duration 15'
Composition for Klaus Roth
for piano, duration c. 5'
2023
Walking North
electronic, duration 71'
listen/purchase on bandcamp
Sycamore
for piano, duration c. 40'
Dedicated to John Tilbury
Commissioned by Another Timbre
2021
Orrery
for piano, duration c. 36'
Dedicated to Kenneth Maue
listen/purchase on bandcamp
2020
Karnaugh Quartet
for string quartet, duration c. 12'
Stopping at the Sheer Edge Will Never Abolish Space
quartet, duration 20'
Commissioned by 840

2019
Arcades
for piano, duration 1 hr 40 mins
Composed for Philip Thomas

2018
Meander Section
for either string quartet or violin, reed organ and cello, duration 5'
Composed for Michael Parsons' 80th birthday concert

Setting
three violins, duration 12'
Composed for Erik Carlson
2017
Part Music for Double Bass
for double bass and mono audio, duration variable
Commissioned by Michael Francis Duch

Nocturne
for piano, duration c. 7'
2016
Line
for any pitched instrument, duration open
Composed for John Tilbury, and recorded for the CD Seaside (Another Timbre 2016)

2015
Part Music for Violin
for violin and mono audio, duration variable
Commissioned by Mira Benjamin with support from the Britten-Pears Foundation


First Page for Five
duration 18' for any five sustaining pitched instruments
Composed for the Goldsmiths CD on Another Timbre
2014
Piece for Apartment House, August 2014
for violin and cello, duration 11'
Premiered by Apartment House on 1 October 2014, Platforma Project, Moscow, Russia
Requested by Anton Lukoszevieze for the Apartment House Russia Tour 2014

Assembly
for piano and string quartet, duration 12'
Commissioned by PRS for Music and first performed by James Barralet (cello), Mira Benjamin (violin), Catherine Kontz (piano), Dominic Lash (double bass) and Aisha Orazbayeva (violin), 15 June 2014, Spitalfields Festival, Village Underground, London UK

2013
Listing
for piano, duration 66'
Composed for and dedicated to Philip Thomas

During
for three cellos, duration 12'
Commissioned by Tre Voci and nu:nord, with support from the Britten-Pears Foundation. First performed 17 January 2014, Parish Church, Aldeburgh, Suffolk UK


Holding
for string quartet, duration 22'

Ground
for string octet or string orchestra, duration 13'
2012
Arrangement
for piano duet, duration 5'
Requested by Markus Trunk and first performed by Claudia Molitor and Kerry Yong on 4 July 2012, Music We'd Like to Hear, St Anne and St Agnes Church, Gresham Street, London UK

Trio
for three instruments, duration 8'
Composed at the request of Alistair Zaldua, and first performed 27 September 2012 by the New Music Ensemble at Goldsmiths, London UK

Doubles
for string quartet, duration 6'
Composed for the Bozzini Quartet Composers Kitchen in April 2012, and first performed 28 April 2012, Chapelle Historique du Bon-Pasteur, Montreal, Canada and 24 November 2012, Huddersfield Contemporary Music Festival, St Paul's Hall, Queensgate, Huddersfield UK


Light Piece
(2010-12) for three or more artificial lights, duration open
2011
String Trio or Quartet
(2009-11) for any combination of three or four bowed string instruments, duration open
First performed 1 May 2011 by Angharad Davies, Julia Eckhardt, Dominic Lash and Stefan Thut at Säulenhalle Landhaus, Solothurn, Switzerland

2009
Four Reed Organs
for four reed organs, duration 13'
First performed 15 May 2010 by Stephen Chase, John Lely, Ross Parfitt and Philip Thomas at Site Gallery, Sheffield UK


Symphony in e
for a large group, duration 35'
First performed 22 May 2010 by edges, conducted by Philip Thomas, Site Gallery, Sheffield and 6 June 2010 by CalArts Experimental Music Workshop lead by Michael Pisaro, Dogstar, CalArts, LA USA


Keyboard Exercises
for any number of keyboards, duration open
Dedicated to Tim Parkinson, and first performed by him 27 June 2009 at Cafe Oto, London UK


Distance Learning
for three players with table top and objects, duration 3'
First performed 9 May 2009 by Tim Parkinson, James Saunders and Taku Unami in Hamburg, Germany
Dedicated to James Saunders and Tim Parkinson

Symphony No 5: The Only Way is Up
for a mixed group of instruments with overlapping ranges
Dedicated to Manfred Werder, and first performed 5 July 2010 by Incidental Music at Galerie Mark Müller, Zurich, Switzerland

Symphony No 4: The Great Outdoors
for three to seven percussionists in a large open space
First performed 23 June 2010 as part of an event directed by Stephen Chase, Town Centre, Sheffield UK

Symphony No 2: The Lowest Common Multiple
for a group of percussionists
First performed 3 December 2009 by Material at Chapel Arts, Bath UK
2008
Symphony No 3: The Parsons Code for Melodic Contours
for two or more melody instruments, duration c. 15'
Dedicated to Michael Parsons, and first performed 24 November 2008 by John Lely, Taylan Susam and Jopseh Kudirka at Huddersfield Contemporary Music Festival, Huddersfield UK

2006
Second Symphony
for eight or more players with independent click-tracks and one sound each, duration open
Commissioned by Rational Rec and first performed 6 February 2007 by John Lely, Jennifer Allum, Laurence Crane, Joanna Bailie, Christopher Fox, Russel Martin, Mark Knoop, Catherine Kontz, Henri Vaxby, Cecilia Wee and Paul Whitty at Rational Rec, Bethnal Green Working Men's Club, London UK


To be or not to only stand and wait
for Aleks Kolkowski's stroh-viol quartet (or normal string quartet), sirens, kazoos, snare-drum and rubber piping, duration 13 minutes
Commissioned by Kettle's Yard for Apartment House and first performed 3 November 2006 at Kettle's Yard, Cambridge UK


The Harmonics of Real Strings
for solo bowed string instrument, open duration
First performed 12 October 2006 by Anton Lukoszevieze at The Warehouse, London UK. First broadcast 22:30 22 December 2007 on Hear and Now, BBC Radio 3


All About the Piano
for pianist with one or more roaming assistants, open duration
Commissioned by the Huddersfield Contemporary Music Festival for Philip Thomas and James Saunders. First performed 21 November 2006 at HCMF, St Paul's Hall, Huddersfield UK. First broadcast 23:00 4 December 2006 on Hear and Now, BBC Radio 3


Desk Bells
for a set of tuned desk bells, duration open
First performed 7 May 2006 by the composer at Goldsmiths, New Cross, London UK


Holborn
for solo banjolele, duration c. 5'
Dedicated to John Tilbury and first performed by the composer on 19 February 2006 at Bridewell Theatre, Strand, London UK

2005
Precision Sonics
for three turntables, duration open
Dedicated to Matthew Wright, and first performed by him on 6 October 2006 at Open Ear, Orange Street Music Club, Canterbury UK


Hybrid Music Boxes
Selection of adapted music boxes, first shown 7 February 2006 at John Lely's Rational Fete, Rational Rec, Bethnal Green Working Men's Club, London UK

Launch of the Red Bird
electronic album, 12 tracks, duration 38'17"

Corona
for 19-division trumpet, duration c. 2'
Composed for Stephen Altoft and first performed 15 October 2005 at Microfest 1/Wild Dog 1, riverhouse, Walton-on-Thames, Surrey UK

2004
White Noise Machine
for two or more performers with white noise generators, duration open
First performed 4 February 2005, Goldsmiths College, New Cross, London UK
Dedicated to John White


Slow Movement for Strings
for two or more bowed string instruments, duration open
First performed 6 April 2004 during in eye i, Bogota, Colombia

Wall of Sound
installation
First realised 12 March 2008 as a performance by Material, Bath Spa University, Bath UK

Cycling in [county/region of performance]
for harp, duration 11'
Commissioned by and dedicated to Rhodri Davies, who gave the first performance 28 June 2004 as Cycling in Yorkshire at Heptonstall Church, nr. Hebdon Bridge, Yorkshire UK


Installation at Welborne Church
field recordings/playback
Commissioned by Welborne Arts Festival, and first presented 11-13 June 2004 in Welborne Church, Welborne, Norfolk UK

Brook
for seven players (prepared piano, toy piano, stones)
First performed 7 June 2004 by Buruk (Angharad Davies, John Lely, Sam Mirelman, Tim Parkinson, Michael Parsons, James Saunders, Seymour Wright) at Goldsmiths College, New Cross, London UK
2003
Discovering Counterpoint
for three melody instruments with auxiliary devices, duration c. 9'
First performed 23 March 2008 by Apartment House, Cologne, Germany, and first broadcast 23 March 2008 by WDR

Piece for Two Pianos
duration 12'
Requested by Peter Mumford and Tim Parkinson, and first performed 1 June 2003 at St Cyprian's Church, Baker Street, London UK


E
for piano, cello, harp, electric guitar and xylophone, duration 10'
Commissioned by MaerzMusik, Berliner Festspiele for Apartment House and first performed 19 March 2003 at MaerzMusik, Sophien Saele, Berlin, Germany

2002
First Page for Cello
Requested by Anton Lukoszevieze and first performed 11 November 2002 at St Cyprian's Church, Baker Street, London

The Organ at [location of performance]
organ solo, duration open
First performed 21 May 2004 by Jennifer Walshe and Andrew Hamilton at Schloss Solitude, Stuttgart, Germany

Fall in the fresh lap of the cloudy messenger
string quartet, electric organ, two cds and five desk bells, duration 10'
Requested by Apartment House, and first performed 9 June 2002 at Conway Hall, Red Lion Square, London UK


Harmonica High
any number of harmonicas, duration open
First performed 3 October 2002 by John Lely, Mette Bille, Jamie Coleman, Catherine Kontz, Tim Parkinson and Henri Vaxby at Goldsmiths College, New Cross, London UK


Never Again
for any sound-producing means, duration open
Requested by Apartment House, and first performed 17 July 2002 at Krahnenbaum Company, Kunst-Station St Peter, Koln

January 2002
for any number of players with objects and white noise
First performed 12 January 2002 by John Lely, Nanae Nakagawa, Sebastian Lexer, Tom Farncombe and Catherine Kontz at Goldsmiths College, New Cross, London UK
2001
Pocket Pianos
for two (now defunct) pocket pianos, duration c. 6'
First performed 19 May 2007 by John Lely and Jennifer Allum at Firehouse 12, New Haven, Connecticut USA
1998
From the English
for prepared piano and shuffling minidisc
First public performance 5 October 2006 by Philip Thomas at Kettle's Yard, Cambridge UK